| Taylor, Smith & Taylor Co. |
Like many other potteries in the early 1900s, TS&T made dinnerware, hotel ware, toilet sets, and specialty pieces. In the late-1920s, the toilet wares and specialty items (spittoons, placques, cracker jars, etc.) were phased out. From then until closing, TS&T produced mainly semi-vitreous dinnerware to be sold in department stores, five-and-dimes, hardware stores, and through catalogs. John Thorley, Walter Teague, and John Gilkes designed most shapes used by TS&T from the 1930s until the early 1960s. Thorley was responsible for many of the pieces made in the 1930s including the Empire shape which became the basis for Lu-Ray Pastels. Teague created the Conversation shape bringing TS&T into the 1950s with a new, modern design. Gilkes designed Versatile, another mid-century modern shape which became a workhorse of sorts for the pottery until the late 1960s.
TS&T was bought out by Anchor Hocking in 1972 and continued to produce dinnerware until it closed in 1981. The plant was never used again, and in 2012, the remains of the pottery were demolished. |
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Taylor, Smith & Taylor's popular Lu-Ray Pastels, 1938-1961. |
Courtesy: Candy Fagerlin |
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The photos below show the wide range of styles offered by TS&T though the years. These images come from Taylor, Smith & Taylor Dinnerware by Mark Gonzalez, Schiffer Pub Ltd (May 1, 2004) Belva, Mid-1920s Mexican Fantasy, late-1930s Vistosa Ball Jug, late-1930s Granada Coffeepot, 1960s Souvenir bowl, 1910 Test plate, late-1930s Laurel Teapot, 1930s Blue Mist, 1950s Child's Chamber Set, 1915 Timbercraft Cheese Dish (*) 1960s English Abby Teapot, 1940s Paramount Snack Tray, late-1920s Chateau Buffett, 1950s Covered Bridges, 1970s Golden Wheat, 1950s Plaid treatments, 1950s Apple Range Set (**) 1940s-50s Pebbleford Coffeepots, 1950s Miami Demitasse Set, 1930s Italian Rose Soup Tureen, 1940s
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Base is Timbercraft, ceramic insert by TST, glass dome purchased by TST from an outside source. |
** There is also an apple cookie jar. These were made in pastel yellow with the red part sprayed on and the leaves and stems hand-painted in green. They were never marked and most antiques dealers today misidentify them as Hull or McCoy pottery. (See Page 8 for more.) | ||||||||||||||||||||||||||||||